1966 Born in Guangdong, China
1996 Master of Fine Arts, School of Visual Arts, University of North Texas, Denton, Texas
1991 Master of Arts, Central Academy of Arts and Design, Beijing, China
1988 Bachelor of Architecture, Tsinghua University, Beijing, China
Grants, Awards and Commissions:
2016 Academic Award in Painting, The 3rd Nanjing International Art Festival, Nanjing, China
2013 Painters & Sculptors Grant, Joan Mitchell Foundation, New York, NY
2008 The National Endowment for the Humanities Chair in Humanities, Bucknell University, Lewisburg,
Interpreting Brooklyn Project Grant, Brooklyn Historical Society, Brooklyn, New York
2003 Pollock-Krasner Foundation Grant, New York, New York
2002 U.S. General Services Administration's Art-in-Architecture Program commission for the Federal
Building and U. S. Courthouse, Davenport, Iowa (catalog of project published in 2007 by GSA)
2001 Lindback Minority Junior Faculty Grant, Christian R. & Mary F. Lindback Foundation, Philadelphia,
1999 Arizona Artists Materials Fund Grants, Contemporary Forum, Phoenix Art Museum, Phoenix, Arizona
1996 Awards to Artist, The Kimbrough Fund Award, Dallas Museum of Art, Dallas, Texas
1995 First Place, Voertman Art Exhibition, University of North Texas Art Gallery, Denton, Texas
1994 First Place, Greater Denton Arts Council Award, 26th Annual Juried Fine Arts Awards Exhibit of
North Texas Area Art League, Center for the Visual Arts, Denton, Texas
2017 Xiaoze Xie: Confrontation and Disruption, Stanford in Washington Art Gallery, Washington DC (catalog)
Traces: Works by Xie Xiaoze, Shantou University Art Gallery, Guangdong, China
Empty Field: Xie Xiaoze Solo Exhibition, Yibo Gallery, Shanghai, China
Endurance: New Work by Xiaoze Xie, Chambers fine Art, New York
2016 Xiaoze Xie: Albums, Prints and photographs, East Asia Library, Stanford University, Stanford,
2015 Xiaoze Xie: Subtexts, Nicholas Metivier Gallery, Toronto, Canada
Xiaoze Xie: Excerpts, Talley Dunn Gallery, Dallas, Texas
Xie Xiaoze: Libraries, Moatti Masters/Contemporary, London, United Kingdom
2014 Multiple Perspectives: New Work by Xie Xiaoze, Chambers Fine Art, New York, NY
2013 Multiple Perspectives: New Work by Xie Xiaoze, Chambers Fine Art, Beijing, China (catalog)
Transience, Gallery Paule Anglim, San Francisco, California
2012 New Work, Gallery Paule Anglim, San Francisco, California
Nicholas Metivier Gallery, Toronto, Canada
2011 Xiaoze Xie: Resistant Archeology, Mary Porter Sesnon Art Gallery, University of California Santa
Cruz, Santa Cruz, California
Transience Memories, Dunn and Brown Contemporary, Dallas, Texas
Layers: Recent Work by Xiaoze Xie, Chambers Fine Art, New York, New York.
Touring through: Bing Stanford in Washington, Washington D.C.
Xiaoze Xie: Theatre of Power, Mesaros Galleries, West Virginia University, Morgantown, West
2010-12 Xiaoze Xie: Amplified Moments (1993-2008), Samek Art Gallery, Bucknell University, Lewisburg,
Touring through 2012: Knoxville Museum of Art, Knoxville, Tennessee;
Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon;
Bates College Museum of Art, Lewiston, Maine. (catalog)
2010 Layers: Recent Work by Xiaoze Xie, Chambers Fine Art, Beijing, China (catalog)
Gaain Gallery, Seoul, Korea
Rhythm of Time, Corridor of Memory: A Site-specific Installation by Xie Xiaoze, MADA s.p.a.m.
Architectural Studio Office at Red Star Kindergarten, Shanghai
New Paintings, Gallery Paule Anglim, San Francisco, California
2009 Nicholas Metivier Gallery, Toronto, Canada
2008 Acts and Scenes 2001-2007, Charles Cowles Gallery, New York, New York
Quotidian Truths: Paintings by Xie Xiaoze, Morono Kiang Gallery, Los Angeles, California
Both Sides Now, Zolla/Lieberman Gallery, Chicago, Illinois
2007 The Museum Libraries, Nicholas Metivier Gallery, Toronto, Canada;
Xiaoze Xie: Photographs, Charles Cowles Gallery, New York, New York
Disposable Views, Waterworks Visual Arts Center, Salisbury, North Carolina
Legacy, Gaain Gallery, Seoul, Korea (catalog)
Transient Memories: Works on Paper by Xie Xiaoze, dARTex, The Danish Cultural Center, Beijing,
Xiaoze Xie: Works on Paper, The Modern Chinese Art Foundation, Ghent, Belgium (catalog)
2006 The MoMA Library, Charles Cowles Gallery, New York, New York (catalog)
2005 Nicholas Metivier Gallery, Toronto, Canada
2004 2001-2003 Fragmentary Views, Charles Cowles Gallery, New York, New York (catalog)
2003 History: A Microscopic View, China Art Archives and Warehouse, Beijing, China
Davidson Galleries, Seattle, Washington
2002 Charles Cowles Gallery, New York, New York
2000 Order: An Installation and Paintings by Xiaoze Xie, Scottsdale Museum of Contemporary Art,
1998 Devin Borden Hiram Butler Gallery, Houston, Texas
1997 Evergreen State College, Olympia, Washington
Davidson Galleries, Seattle, Washington
1996 Puppet/Recent Work by Xiaoze Xie, New Talent Gallery, Irving Arts Center, Irving, Texas
Xiaoze Xie: The Library Paintings, Gallery 414, Fort Worth, Texas
1995 Mosaics Series: Xiaoze Xie, Dallas Visual Art Center, Dallas, Texas
Selected Group Exhibitions:
2017 The Unknown Future: Hebei International Visual Art Experimental Exhibition, NIU Art Space, Shijiazhuang, Hebei, China
Anren Biennale: Today’s Yesterday, Anren, Sichuan, China
Vision and Voice: Reflections of Immigrant Artists in California, ART ARK Gallery, San Jose, California
Words in Characters: Books as Vehicles, Stanford University East Asia Library, Stanford, California
The Art of Asian Languages, Oklahoma State University Museum of Art, Stillwater, Oklahoma
2016 HISTORICODE: Scarcity & Supply/The 3rd Nanjing International Art Festival, Baijia Lake Museum,
Printmaking – A Fine Art: 20 Years of Wildwood Press, St. Louis, Mitchell Museum, Cedarhurst
Center for the Arts, Mt. Vernon, Illinois
All Hands on Deck, Faulconer Gallery, Grinnell College, Grinnell, Iowa
2015-16 Fragmentary Narratives: Fang Lijun, Xie Xiaoze, Yang Jiechang and Yang Shaobin, parallel
exhibition of the 5th Art Changsha Biennial, the Changsha City Museum, Hunan, China
Touring through: Thomas Welton Stanford Art Gallery, Stanford University, California
2015 Liberating the Past from the Present: Contemporary Art in China, Shengzhi Space, Beijing, China
Touring through: Modern Art Museum, St. Petersburg, Russia
What can California art be?, Oakland Museum of California, Oakland, California
Fragmentary Narratives: Fang Lijun, Xie Xiaoze, Yang Jiechang and Yang Shaobin, Changsha City
Museum, Changsha, China
A Record of Architectural Transformation, The Ninth Songzhuang Culture and Art Festival 2015
Theme Exhibition, G-Dot Art Space, Beijing, China
“Retrospective” Paule Anglim (1923-2015) A memorial exhibition commemorating 50 years of
support and collaboration, Gallery Paule Anglim, San Francisco
2014 The 1st China Xinjiang International Arts Biennale, Urumqi International Exhibition Center, Urumqi,
Beyond Architecture, Long Art Museum, Shanghai; Times Cultural Complex Art Center, Guangzhou,
Now Read This: Contemporary Art from the Collection of Driek and Michael Zirinsky, Idaho Center
for the Book, Boise State University, Boise, Idaho
Deep Reading, Euphrat Museum of Art, De Anza College, Cupertino, California
Mirrored and Obscured: Contemporary Texas Self-Portraits, Art Museum of Southeast Texas,
Chroma, Nicholas Metivier Gallery, Toronto, Canada
Yuan Yunfu & Tsinghua Fine Art Group, East Exhibition Hall, National Center for the Performing
Arts, Beijing, China
Alumni Showcase: Rachel Cox, Elliot Johnson, Xiaoze Xie, UNT Art Space, Dallas, Texas
2013-14 2012-2013 Chambers Review: Cai Jin, Feng Mengbo, Guo Hongwei, Song Hongquan, Taca Sui, Wu
Jian'an, Xie Xiaoze, Zhang Dun. Chambers Fine Art, Beijing, China
2013 Zero State: 2013 The First Biennale of Installation Art in China, Museum of Contemporary Art,
Touring though: Xiangshan Art Museum, Beijing, China;
Tianjin Art Museum, Tianjin, China
The Awakening of Intuition, The 13th China Pingyao International Photography Festival, multiple
venues, Pingyao, Shanxi, China
Living Legacies: The JSMA@80, Jordan Schnitzer Museum of Art, University of Oregon, Eugene,
Mark My Word, San Jose Museum of Art, San Jose, California
ac·qui·si·tions: A Selection from the Past Decade, The Old Jail Art Center, Albany, Texas
We: 1994-2013 The 20th Anniversary Collective Exhibition of Chinese Songzhuang Artists,
Songzhuang Art Center, Beijing, China
Ex Libris, Talley Dunn Gallery, Dallas, Texas
Lies that Tell the Truth: Magic Realism in Contemporary Art, University Art Gallery, Indiana State
University, Terre Haute, Indiana (catalog)
War & Healing, Euphrat Museum of Art, De Anza College, Cupertino, California
The Moment for Ink: Documenting the History of Ink Painting in America, Asian Art Museum of San
Francisco, Chinese Culture Center of San Francisco, San Francisco State University and the
Silicon Valley Asian Art Center, California (catalog)
2012 Aspects of a New Realism, Roger Arthur Gallery, New Orleans, Louisiana
Observations: Works by Xiaoze Xie, Shi Jing, Guo Hongwei and Zhang Dun, Chambers Fine Art, New York, New York
ARTFARM, Salt Point, New York
2011-12 Across the Divide, Crossman Gallery, University of Wisconsin-Whitewater; Courtyard Gallery, The
University of Texas at Austin (catalog)
Library Science, Artspace, New Haven, Connecticut
2011 Book-ish, San Jose Museum of Art, San Jose, California
I Believe – Chinese Contemporary Art in Songzhuang, Songzhuang Art Center, Beijing, China
Shang Shang Art Museum, Beijing
New Variations, Talley Dunn Gallery, Dallas, Texas
2010 Re-Present: Pat Boas, Adam Chapman, Isaac Layman, Joe Park, Xiaoze Xie, Elizabeth Leach Gallery,
Memory, Well Art, Shanghai
The Message and the Medium: The Library Turns 10, Sonoma State University, Rohnert Park,
2009-10 Something Geographical: Vernon Fisher, Buzz Spector and Xiaoze Xie, Zolla/Lieberman Gallery,
Chicago, Illinois; South Bend Museum of Art, South Bend, Illinois
Out of Bounds: Art from the Collection of Driek & Michael Zirinsky, Whatcom Museum, Bellingham,
2009 First Chongqing Biennale for the Young Artists, Chongqing International Convention and Exhibition
Center, Chongqing, China (catalog)
China Urban: Exploring the Historical and Contemporary Chinese City, Douglas F. Cooley Memorial
Art Gallery, Reed College, Portland, Oregon (catalog)
2008-09 Texas Collects Asia: Contemporary Art, Crow Collection of Asian Art, Dallas, Texas
2008 Absurd Recreation: Contemporary Art from China, Sweeney Art Gallery, University of California
Riverside, Riverside, California (catalog)
2007 Just Words: Xu Bing, Hong Hao, and Xie Xiaoze, Morono Kiang Gallery, Los Angeles, California
What We Keep: An Exhibition on Books and Memory (Xiaoze Xie, Michele Oka Doner and Nina
Katchadourian), Sun Valley Center for the Arts, Sun Valley, Idaho
Between Reality and Illusion, Marty Walker Gallery, Dallas, Texas. Curated by George Morton and
Karol Howard (catalog)
2006-08 Shu: Reinventing Books in Contemporary Chinese Art, China Institute Gallery, New York, New York;
Seattle Asian Art Museum, Seattle, Washington; Honolulu Academy of Arts, Honolulu, HI
2006 What War? White Box, New York, New York
Why Lee Shot C: Buzz, she left 'em Vernon! (William T. Wiley, Xiaoze Xie, Buzz Spector, Vernon
Fisher) Zolla/Lieberman Gallery, Chicago, Illinois
2004-06 Misleading Trails, China Art Archives and Warehouse, Beijing, China; NIU Art Museum, Northern
Illinois University, DeKalb, IL; University of North Texas Art Gallery, Denton, TX; Hanes Art
Gallery, Wake Forest University, Winston-Salem, NC; Vanderbilt University Art Gallery,
Nashville, TN; Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD; Samek Art
Gallery, Bucknell University, Lewisburg, PA. (catalog)
Regeneration: Contemporary Chinese Art from China and the US, Samek Art Gallery, Bucknell
University, Lewisburg, PA; David Winton Bell Gallery, Brown University, Providence, RI;
Slusser Gallery, University of Michigan, Ann Arbor, MI; Ben Maltz Gallery, Otis College of Art
& Design, Los Angeles, CA; University of California San Diego Art Gallery, San Diego, CA;
Arizona State University Art Museum, Tempe, AZ; Williams College Museum of Art,
Williamstown, MA; Ewing Gallery, University of Tennessee, Knoxville, TN; University of
Virginia Art Museum, Charlottesville, VA (catalog)
2005-06 The Daily News, Salt Lake Art Center, Utah; Nicolaysen Art Museum, Casper, Wyoming; Boise Art
Museum, Boise, Idaho (catalog)
2004 Nicholas Metivier Gallery, Toronto, Canada
Texas Vision: The Barrett Collection, The Meadows Museum, Southern Methodist University, Dallas,
2003 The Great Drawing Show 1550-2003, Michael Kohn Gallery, Los Angeles, California
Cross the Divide, Max L. Gatov and Werby Art Galleries at California State University, Long Beach,
2001 Sally Packard and Xiaoze Xie, Art League Houston, Houston, Texas
Allentown Art Museum, Allentown, Pennsylvania
Charles Cowles Gallery, New York, New York
2000 2000 Exhibition of Guangdong Contemporary Oil Paintings, Guangdong Museum of Art, Guangzhou,
Recipients of 1999 Arizona Artists Materials Fund Grants, Contemporary Forum, Phoenix Art Museum,
Charles Cowles Gallery, New York, New York
Rosalyn Richards & Xiaoze Xie, Bucknell University Art Gallery, Lewisburg, Pennsylvania
1999 West Looks East: Jae Hahn, Katherine Chang Liu, Chiaki Shuji, Hung Liu, Yung Ja Lee, Younghee Cho
Martin, Xiaoze Xie, LewAllen Contemporary, Santa Fe, New Mexico
1998 Building for the Millennium: Recent Acquisitions, Scottsdale Museum of Contemporary Art, Scottsdale,
1997 George Segal and Xiaoze Xie, Bruce Gallery, Edinboro University of Pennsylvania, Edinboro,
1996 First Texas Annual, grand opening group show, The Contemporary Art Center of Fort Worth, Fort
1995 Scott Barber and Xiaoze Xie, 500X Gallery, Dallas, Texas
McKinney Avenue Contemporary, Dallas, Texas
1994 Unity and Diversity, Cora Stafford Gallery, University of North Texas, Denton, Texas
1993 Center for the Visual Arts, Denton, Texas
1991 Four Young Artists, Shantou Painting Institute, Guangdong, China
Selected Public Collections:
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Arizona State University Art Museum, Tempe, Arizona
Art Museum of Southeast Texas, Beaumont, Texas
Bates College Museum of Art
Bucknell University Samek Art Gallery, Lewisburg, Pennsylvania
Eastfield College, Dallas, Texas
Grinnell College, Grinnell, Iowa
Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon
The JPMorgan Chase Art Collection, New York, New York
Microsoft Art Collection, Redmond, Washington
Museum of Fine Arts, Houston, Texas
Oakland Museum of California, Oakland, California
The Old Jail Art Center, Albany, Texas
San Jose Museum of Art, San Jose, California
Scottsdale Museum of Contemporary Art, Scottsdale, Arizona
Seattle University, Seattle, Washington
“’Amplified Moments’: Bates College will show works by famed Chinese artist Xiaoze Xie.” Sun Journal,
December 27, 2011
Artner, Alan G. Chicago Tribune, May 7, 2008.
Baker, Kenneth. “Library Still Lifes Exude Elegiac Air.” San Francisco Chronicle, January 9, 2010, p. E3.
Baker, Kenneth. “Wilson-Ryckman and Xie.” San Francisco Chronicle, September 7, 2013, p. E-2.
Baker, Kenneth. “Xie at Anglim.” San Francisco Chronicle, June 23, 2012, p. E2.
Bever, Jennifer. “Searching for Artistic Freedom, Chinese Painter’s Work Open to Many Interpretations.”
Bryan-College Station Eagle, March 17, 1996, p. D9.
Bowie, Chas. “Quite a Group at Leach.” The Oregonian, February 26, 2010.
Brumer, Andy, "Previews of Exhibitions: Xie Xiaoze." ArtScene, vol. 28, no. 3, 2008, pp. 15-16.
Caine, William. “The Spirit of Law/Iowa Reports” in GSA Art in Architecture Selected Artworks 19997-2008,
introduction by Eleanor Heartney. U.S. General Services Administration, 2008, pp.100-103 (book).
Coleman, Rufus. “Painting the News.” The North Texan, Winter 2004. pp. 34-35.
Claypool, Lisa. “China Urban: An Interview with Xie Xiaoze.” Yishu: Journal of Contemporary Chinese Art,
July/August 2009, Volume 8, Number 4, pp. 41-50.
Dault, Gary Michael. “To Paint Book Is to Save Them.” The Globe and Mail, September 12, 2009.
Doom, R. "Wanneer de dappere winterpruimen in de sneeuw bloesemen..." catalog essay, Xiaoze Xie: Werken op
papier, Modern Chinese Art Foundation, Ghent, Belgium, 2007.
Edwards, Jim. "All the news that fits, and then some." Catalog essay, The Daily News, Salt Lake Art Center, Salt
Lake City, Utah, 2005.
Fugami, Tracey. “A Bookworm’s View.” International Examiner (Asian American Journal of the Northwest), Vol.
26, No. 4, Feb. 17 - March 3, 1999, p. 11.
Goodbody, Bridget L. “Xiaoze Xie, ‘2001-2003 Fragmentary Views." Time Out New York, Issue No. 445 (April8-15, 2004): p. 53.
Hackett, Regina. "Messing With the Message: Art as News." catalog essay, The Daily News, Salt Lake Art Center,
Salt Lake City, Utah, 2005.
Heartney, Eleanor. “A War and Its Images.” Art in America, Vol. 92, No. 9 (October 2004): p. 55.
Heartney, Eleanor. “The Certainty of Uncertainty: History and Memory in the Work of Xiaoze Xie.” Catalogue
essay for Xiaoze Xie: 2001-2003 Fragmentary Views, Charles Cowles Gallery, New York City, 2004.
Higgins, Shaun O’L. and Striegel, Collen. Press Gallery: The Newspaper in Modern and Contemporary Art. New
Media Ventures, Inc. 2005. pp. 190-191. (book)
Hopkins, Debra L. “Order: An Installation and Paintings by Xiaoze Xie.” curator’s essay, Scottsdale Museum of
Contemporary Art, Arizona, 2000.
Isaacson, Philip. “In the Arts: ‘The Inspired Hand,’ other shows offers a splendid creative diversion.” The Portland
Press Herald, February 13, 2012.
Josslin, Victoria. “Loss, Disintegration and Nostalgia at the Davidson Galleries.” Seattle Post-intelligencer,
November 11, 2000.
Keefer, Bob. “Photo-Like.” The Register-Guard, October 20, 2011.
Keyes, Bob. “Winter Wonderscape.” Audience, January 22, 2012.
Konau, Britta. “’Amplified Moments’ of power and knowledge.” The Portland Phoenix, February 15, 2012.
Kelley, Jeff. “The Archivist.” Catalogue essay, Layers: Recent Works by Xiaoze Xie, Chambers Fine Art, Beijing,
Laster, Paul. “Xiaoze Xie: 2001-2003 Fragmentary Views.” Art Asia Pacific, No. 43 (Winter 2004): p. 84.
Li, Na. “Exhibit shows transient nature of news and life.” China Daily (Canada), June 5, 2015.
Little, Carl. “Xiaoze Xie: Amplified Moments (1993-2008).” Art New England, March/April 2012.
Li, Xianting. “The Regeneration of Three Traditions.” catalogue essay for Regeneration: Contemporary Chinese Art
from China and the US, Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania. p. 16
Li, Yanling. "Transient Memories: Works on Paper by Xie Xiaoze." Shanghai Stock News, Saturday, July 21, 2007,
Loos, Ted. “Fish Wrap, Bird Cage Liner, Still Life.” The New York Times, Sunday, March 21, 2004, p. 32.
Maddox, David. "Trans-Pacific Conversation: American and Chinese Artists Confront the Realities of Globalization
in Distinctly Different Ways." Nashville Scene, November 24, 2005.
Mak, Gerry. “Disposable History, Xie’s solo exhibit at CAAW reminds us that history is malleable.” That’s Beijing,
October 2003, p. 38.
McGee, Carrie. "Misleading Trails." Number: An Independent Arts Journal, Spring/Summer 2006. pp. 20-21.
McRary, Amy. “New media: artists uses printed matter to create studies of history.” Knoxville News Sentinel, March
Morse, Trent. “Xiaoze Xie at Chambers Fine Art.” ARTnews June 2011, p. 109.
Muchnic, Suzanne. "Old Meets Bold." Los Angeles Times, March 20, 2005.
Nance, Kevin. "For Xie, papers are all the news that's fit to paint Print friendly." Chicago Sun-Times, April 18,
New American Painting/Juried Exhibition-in-Print, No. 103, Pacific Coast, Volume 17, Issue 6, December/January
2013, pp. 150-153.
New American Paintings/Juried Exhibition-in-Print, Number 44. Boston: The Open Studios Press, 2003. pp.
Newman, David. “Between Painting and Photography: Four Works by Xiaoze Xie.” Curator’s Essay, Brookhaven
College Center for the Arts, Texas, February 1997.
Nichols, Matthew Guy. “Xiaoze Xie at Charles Cowles.” Art in America, Vol. 92, No. 6 (June/July 2004): p. 181.
Råcker, Barbara. “Lies that Tell the Truth: Magic Realism in Contemporary Art.” Catalogue easy, University Art
Gallery, Indiana State University, February 22 – March 22, 2013.
Reproduction and review in The New Yorker, April 5, 2004. p.14, 18.
Reproductions in BOL Journal. Winter 2007, pp. 143-154.
Reproduction in Harper’s Magazine. August 2008. p. 73.
Reproductions in Harvard Review. 2009, Number 37, pp. 140-141.
Ridolfi, Mark. "Inspiration Arrives Today in Davenport Courthouse." Quad-City Times, October 10, 2005, p.
A11.(The Editorial Page)
Schnoor, Christopher. "The News in Art at Boise Art Museum." Boise Weekly, February 22-28, 2006, pp. 11-13.
Shang, Chong. “On Xie Xiaoze’s Art.” Jiangsu Art Monthly, Issue No. 191 (November 1996): pp. 31-35.
Smith, Roberta. "When Newspaper Photographs Are Worth a Thousand Paintings." The New York Times,
November 6, 2008. p. C1, C5.
Spica, Heather Joyner. “Chinese-American Artist Xiaoze Xie Captures Moments Amplified and Unplugged.” Metro
Pulse, March 23, 2011
Suh, Sangsuk. “Painted History through Slices of Newspapers.” Wolganmisool (Monthly Art, Korean), June 2004,
Swift, Wes. “An Artistic History of Protest.” The Battalion, March 20, 1996, p. 3.
Tancock, John. "Multiple Perspectives." Master’s Profile, The Fine Arts World, March/April 2014, pp. 38-49.
Updike, Robin. “Show Wrestles with Reality, Books Dominate Xie’s Haunting, Ambiguous Work.” Seattle Times,
February 25, 1999.
Vaughn, Katie. "Speaking Volumes, Paintings of Books Honor Legal System in U.S., Iowa." Quad-City Times,
February 11, 2007, Section H, p. 1, 7.
Wei, Lilly. "On Time: The Works of Xiaoze Xie." Brochure essay, Dowd Fine Arts Gallery, State University of
New York Cortland, Cortland, New York.
Wei, Lilly. "Xie Xiaoze at Chambers Fine Art." ARTnews December 2013, p. 107.
Wilson, Wade. “A Moving Mix of Classical Style, Powerful Statement.” Fort-Worth Star-Telegram, November 26,
1995, Section F, p. 4.
Wilson, Wade. “Illiteracy on Canvas.” Fort-Worth Star-Telegram, April 28, 1996, Section F, p. 2.
Wilson, Wade. “ ‘Mosaics’ Puts Together Pieces of Chinese Culture.” Fort-Worth Star-Telegram, June 11, 1995,
Section F, p. 4.
Wu, Penghui. “The Possibilities of Implication, Misleading Trails.” Art World, Issue No. 172 (September 2004): p.
Xia, Kejun. "Transient Memories and the Responsibility of Reading." Catalog essay, Transient Memories: Works on
Paper by Xie Xiaoze, The Danish Art Exchange, Beijing, China, 2007.
Zhang, Ting. "Transient Memories." Phoenix Weekly, Issue No. 264, August 2007, pp. 60-63.