Xiaoze Xie

bio
                            
works
                            
CV
                            

1966         Born in Guangdong, China



Education:


1996         Master of Fine Arts, School of Visual Arts, University of North Texas, Denton, Texas

1991         Master of Arts, Central Academy of Arts and Design, Beijing, China

1988         Bachelor of Architecture, Tsinghua University, Beijing, China



Grants, Awards and Commissions:


2016                Academic Award in Painting, The 3rd Nanjing International Art Festival, Nanjing, China

2013                Painters & Sculptors Grant, Joan Mitchell Foundation, New York, NY

2008                The National Endowment for the Humanities Chair in Humanities, Bucknell University, Lewisburg,

          Pennsylvania 

          Interpreting Brooklyn Project Grant, Brooklyn Historical Society, Brooklyn, New York

2003           Pollock-Krasner Foundation Grant, New York, New York

2002           U.S. General Services Administration's Art-in-Architecture Program commission for the Federal

          Building and U. S. Courthouse, Davenport, Iowa (catalog of project published in 2007 by GSA)

2001           Lindback Minority Junior Faculty Grant, Christian R. & Mary F. Lindback Foundation, Philadelphia,

          Pennsylvania

1999           Arizona Artists Materials Fund Grants, Contemporary Forum, Phoenix Art Museum, Phoenix,           Arizona

1996           Awards to Artist, The Kimbrough Fund Award, Dallas Museum of Art, Dallas, Texas

1995           First Place, Voertman Art Exhibition, University of North Texas Art Gallery, Denton, Texas

1994           First Place, Greater Denton Arts Council Award, 26th Annual Juried Fine Arts Awards Exhibit of

          North Texas Area Art League, Center for the Visual Arts, Denton, Texas



Solo Exhibitions:


2017               Xiaoze Xie: Confrontation and Disruption, Stanford in Washington Art Gallery, Washington DC          (catalog)

        Traces: Works by Xie Xiaoze, Shantou University Art Gallery, Guangdong, China

        Empty Field: Xie Xiaoze Solo Exhibition, Yibo Gallery, Shanghai, China

        Endurance: New Work by Xiaoze Xie, Chambers fine Art, New York

2016               Xiaoze Xie: Albums, Prints and photographs, East Asia Library, Stanford University, Stanford,

        California

2015               Xiaoze Xie: Subtexts, Nicholas Metivier Gallery, Toronto, Canada

                       Xiaoze Xie: Excerpts, Talley Dunn Gallery, Dallas, Texas

                       Xie Xiaoze: Libraries, Moatti Masters/Contemporary, London, United Kingdom

2014               Multiple Perspectives: New Work by Xie Xiaoze, Chambers Fine Art, New York, NY 

2013               Multiple Perspectives: New Work by Xie Xiaoze, Chambers Fine Art, Beijing, China (catalog)

                       Transience, Gallery Paule Anglim, San Francisco, California

2012               New Work, Gallery Paule Anglim, San Francisco, California

                       Nicholas Metivier Gallery, Toronto, Canada

2011               Xiaoze Xie: Resistant Archeology, Mary Porter Sesnon Art Gallery, University of California Santa 

        Cruz, Santa Cruz, California

                       Transience Memories, Dunn and Brown Contemporary, Dallas, Texas  

                       Layers: Recent Work by Xiaoze Xie, Chambers Fine Art, New York, New York.

        Touring through: Bing Stanford in Washington, Washington D.C.

                       Xiaoze Xie: Theatre of Power, Mesaros Galleries, West Virginia University, Morgantown, West

        Virginia

2010-12          Xiaoze Xie: Amplified Moments (1993-2008), Samek Art Gallery, Bucknell University, Lewisburg,

        Pennsylvania.   

        Touring through 2012: Knoxville Museum of Art, Knoxville, Tennessee; 

        Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon; 

        Bates College Museum of Art, Lewiston, Maine. (catalog)

2010               Layers: Recent Work by Xiaoze Xie, Chambers Fine Art, Beijing, China (catalog)

                       Gaain Gallery, Seoul, Korea

                       Rhythm of Time, Corridor of Memory: A Site-specific Installation by Xie Xiaoze, MADA s.p.a.m.

        Architectural Studio Office at Red Star Kindergarten, Shanghai

                       New Paintings, Gallery Paule Anglim, San Francisco, California

2009               Nicholas Metivier Gallery, Toronto, Canada

2008         Acts and Scenes 2001-2007, Charles Cowles Gallery, New York, New York

        Quotidian Truths: Paintings by Xie Xiaoze, Morono Kiang Gallery, Los Angeles, California

        Both Sides Now, Zolla/Lieberman Gallery, Chicago, Illinois

2007         The Museum Libraries, Nicholas Metivier Gallery, Toronto, Canada;

                      Xiaoze Xie: Photographs, Charles Cowles Gallery, New York, New York

        Disposable Views, Waterworks Visual Arts Center, Salisbury, North Carolina

        Legacy, Gaain Gallery, Seoul, Korea (catalog)

        Transient Memories: Works on Paper by Xie Xiaoze, dARTex, The Danish Cultural Center, Beijing,

        China (catalog)

        Xiaoze Xie: Works on Paper, The Modern Chinese Art Foundation, Ghent, Belgium (catalog)

2006         The MoMA Library, Charles Cowles Gallery, New York, New York (catalog)

2005         Nicholas Metivier Gallery, Toronto, Canada

2004         2001-2003 Fragmentary Views, Charles Cowles Gallery, New York, New York (catalog)

2003         History: A Microscopic View, China Art Archives and Warehouse, Beijing, China

        Davidson Galleries, Seattle, Washington

2002         Charles Cowles Gallery, New York, New York

2000         Order: An Installation and Paintings by Xiaoze Xie, Scottsdale Museum of Contemporary Art,

        Scottsdale, Arizona

1998         Devin Borden Hiram Butler Gallery, Houston, Texas

1997         Evergreen State College, Olympia, Washington

                      Davidson Galleries, Seattle, Washington

1996         Puppet/Recent Work by Xiaoze Xie, New Talent Gallery, Irving Arts Center, Irving, Texas

      Xiaoze Xie: The Library Paintings, Gallery 414, Fort Worth, Texas

1995       Mosaics Series: Xiaoze Xie, Dallas Visual Art Center, Dallas, Texas




Selected Group Exhibitions:


2017       The Unknown Future: Hebei International Visual Art Experimental Exhibition, NIU Art Space,                        Shijiazhuang, Hebei, China

      Anren Biennale: Today’s Yesterday, Anren, Sichuan, China

      Vision and Voice: Reflections of Immigrant Artists in California, ART ARK Gallery, San Jose,                        California

      Words in Characters: Books as Vehicles, Stanford University East Asia Library, Stanford, California

      The Art of Asian Languages, Oklahoma State University Museum of Art, Stillwater, Oklahoma

2016              HISTORICODE: Scarcity & Supply/The 3rd Nanjing International Art Festival, Baijia Lake Museum,

        Nanjing, China

                      Printmaking – A Fine Art: 20 Years of Wildwood Press, St. Louis, Mitchell Museum, Cedarhurst

                      Center for the Arts, Mt. Vernon, Illinois

                      All Hands on Deck, Faulconer Gallery, Grinnell College, Grinnell, Iowa 

2015-16         Fragmentary Narratives: Fang Lijun, Xie Xiaoze, Yang Jiechang and Yang Shaobin, parallel

        exhibition of the 5th Art Changsha Biennial, the Changsha City Museum, Hunan, China

        Touring through: Thomas Welton Stanford Art Gallery, Stanford University, California 

2015               Liberating the Past from the Present: Contemporary Art in China, Shengzhi Space, Beijing, China

        Touring through: Modern Art Museum, St. Petersburg, Russia 

                       What can California art be?, Oakland Museum of California, Oakland, California

                       Fragmentary Narratives: Fang Lijun, Xie Xiaoze, Yang Jiechang and Yang Shaobin, Changsha City

        Museum, Changsha, China 

                       A Record of Architectural Transformation, The Ninth Songzhuang Culture and Art Festival 2015

        Theme Exhibition, G-Dot Art Space, Beijing, China

                       “Retrospective” Paule Anglim (1923-2015) A memorial exhibition commemorating 50 years of

        support and collaboration, Gallery Paule Anglim, San Francisco

2014               The 1st China Xinjiang International Arts Biennale, Urumqi International Exhibition Center, Urumqi,

        China

                       Beyond Architecture, Long Art Museum, Shanghai; Times Cultural Complex Art Center, Guangzhou,

        China

                       Now Read This: Contemporary Art from the Collection of Driek and Michael Zirinsky, Idaho Center

        for the Book, Boise State University, Boise, Idaho

                       Deep Reading, Euphrat Museum of Art, De Anza College, Cupertino, California

                       Mirrored and Obscured: Contemporary Texas Self-Portraits, Art Museum of Southeast Texas,

        Beaumont, Texas

                       Chroma, Nicholas Metivier Gallery, Toronto, Canada

                       Yuan Yunfu & Tsinghua Fine Art Group, East Exhibition Hall, National Center for the Performing

        Arts, Beijing, China

                      Alumni Showcase: Rachel Cox, Elliot Johnson, Xiaoze Xie, UNT Art Space, Dallas, Texas

2013-14         2012-2013 Chambers Review: Cai Jin, Feng Mengbo, Guo Hongwei, Song Hongquan, Taca Sui, Wu

        Jian'an, Xie Xiaoze, Zhang Dun. Chambers Fine Art, Beijing, China

2013              Zero State: 2013 The First Biennale of Installation Art in China, Museum of Contemporary Art, 

        Beijing, China

        Touring though: Xiangshan Art Museum, Beijing, China;

        Tianjin Art Museum, Tianjin, China

                      The Awakening of Intuition, The 13th China Pingyao International Photography Festival, multiple

        venues, Pingyao, Shanxi, China

                      Living Legacies: The JSMA@80, Jordan Schnitzer Museum of Art, University of Oregon, Eugene, 

        Oregon

                      Mark My Word, San Jose Museum of Art, San Jose, California          

                      ac·qui·si·tions: A Selection from the Past Decade, The Old Jail Art Center, Albany, Texas 

                      We: 1994-2013 The 20th Anniversary Collective Exhibition of Chinese Songzhuang Artists, 

        Songzhuang Art Center, Beijing, China

                      Ex Libris, Talley Dunn Gallery, Dallas, Texas

                      Lies that Tell the Truth: Magic Realism in Contemporary Art, University Art Gallery, Indiana State 

      University, Terre Haute, Indiana (catalog)

                      War & Healing, Euphrat Museum of Art, De Anza College, Cupertino, California

                      The Moment for Ink: Documenting the History of Ink Painting in America, Asian Art Museum of San

        Francisco, Chinese Culture Center of San Francisco, San Francisco State University and the

        Silicon Valley Asian Art Center, California (catalog)

2012              Aspects of a New Realism, Roger Arthur Gallery, New Orleans, Louisiana

      Observations: Works by Xiaoze Xie, Shi Jing, Guo Hongwei and Zhang Dun, Chambers Fine Art, New        York, New York

      ARTFARM, Salt Point, New York

2011-12        Across the Divide, Crossman Gallery, University of Wisconsin-Whitewater; Courtyard Gallery, The

      University of Texas at Austin (catalog) 

                      Library Science, Artspace, New Haven, Connecticut  

2011              Book-ish, San Jose Museum of Art, San Jose, California

                      I Believe – Chinese Contemporary Art in Songzhuang, Songzhuang Art Center, Beijing, China 

      (catalog)

                      Shang Shang Art Museum, Beijing

                      New Variations, Talley Dunn Gallery, Dallas, Texas 

2010              Re-Present: Pat Boas, Adam Chapman, Isaac Layman, Joe Park, Xiaoze Xie, Elizabeth Leach Gallery,

        Portland, Oregon 

                      Memory, Well Art, Shanghai

                      The Message and the Medium: The Library Turns 10, Sonoma State University, Rohnert Park,

        California

2009-10         Something Geographical: Vernon Fisher, Buzz Spector and Xiaoze Xie, Zolla/Lieberman Gallery, 

        Chicago, Illinois; South Bend Museum of Art, South Bend, Illinois

                      Out of Bounds: Art from the Collection of Driek & Michael Zirinsky, Whatcom Museum, Bellingham,

        Washington

2009              First Chongqing Biennale for the Young Artists, Chongqing International Convention and Exhibition 

        Center, Chongqing, China (catalog)

                      China Urban: Exploring the Historical and Contemporary Chinese City, Douglas F. Cooley Memorial 

        Art Gallery, Reed College, Portland, Oregon (catalog)

2008-09         Texas Collects Asia: Contemporary Art, Crow Collection of Asian Art, Dallas, Texas

2008       Absurd Recreation: Contemporary Art from China, Sweeney Art Gallery, University of California 

      Riverside, Riverside, California (catalog)

2007       Just Words: Xu Bing, Hong Hao, and Xie Xiaoze, Morono Kiang Gallery, Los Angeles, California

      What We Keep: An Exhibition on Books and Memory (Xiaoze Xie, Michele Oka Doner and Nina 

      Katchadourian), Sun Valley Center for the Arts, Sun Valley, Idaho

      Between Reality and Illusion, Marty Walker Gallery, Dallas, Texas. Curated by George Morton and 

      Karol Howard (catalog)

2006-08       Shu: Reinventing Books in Contemporary Chinese Art, China Institute Gallery, New York, New York;

      Seattle Asian Art Museum, Seattle, Washington; Honolulu Academy of Arts, Honolulu, HI 

    (catalog)

2006       What War? White Box, New York, New York

      Why Lee Shot C: Buzz, she left 'em Vernon! (William T. Wiley, Xiaoze Xie, Buzz Spector, Vernon

      Fisher) Zolla/Lieberman Gallery, Chicago, Illinois

2004-06       Misleading Trails, China Art Archives and Warehouse, Beijing, China; NIU Art Museum, Northern

      Illinois University, DeKalb, IL; University of North Texas Art Gallery, Denton, TX; Hanes Art

      Gallery, Wake Forest University, Winston-Salem, NC; Vanderbilt University Art Gallery,

      Nashville, TN; Boyden Gallery, St. Mary’s College of Maryland, St. Mary’s City, MD; Samek Art 

      Gallery, Bucknell University, Lewisburg, PA. (catalog)

      Regeneration: Contemporary Chinese Art from China and the US, Samek Art Gallery, Bucknell

      University, Lewisburg, PA; David Winton Bell Gallery, Brown University, Providence, RI; 

      Slusser Gallery, University of Michigan, Ann Arbor, MI; Ben Maltz Gallery, Otis College of Art

      & Design, Los Angeles, CA; University of California San Diego Art Gallery, San Diego, CA; 

      Arizona State University Art Museum, Tempe, AZ; Williams College Museum of Art, 

      Williamstown, MA; Ewing Gallery, University of Tennessee, Knoxville, TN; University of 

      Virginia Art Museum, Charlottesville, VA (catalog)

2005-06     The Daily News, Salt Lake Art Center, Utah; Nicolaysen Art Museum, Casper, Wyoming; Boise Art

    Museum, Boise, Idaho (catalog)

2004     Nicholas Metivier Gallery, Toronto, Canada

    Texas Vision: The Barrett Collection, The Meadows Museum, Southern Methodist University, Dallas, 

    Texas (catalog)

2003     The Great Drawing Show 1550-2003, Michael Kohn Gallery, Los Angeles, California

    Cross the Divide, Max L. Gatov and Werby Art Galleries at California State University, Long Beach, 

    California (catalog)

2001     Sally Packard and Xiaoze Xie, Art League Houston, Houston, Texas

    Allentown Art Museum, Allentown, Pennsylvania

    Charles Cowles Gallery, New York, New York

2000     2000 Exhibition of Guangdong Contemporary Oil Paintings, Guangdong Museum of Art, Guangzhou, 

    China

    Recipients of 1999 Arizona Artists Materials Fund Grants, Contemporary Forum, Phoenix Art Museum,

    Phoenix, Arizona

    Charles Cowles Gallery, New York, New York

    Rosalyn Richards & Xiaoze Xie, Bucknell University Art Gallery, Lewisburg, Pennsylvania

1999     West Looks East: Jae Hahn, Katherine Chang Liu, Chiaki Shuji, Hung Liu, Yung Ja Lee, Younghee Cho 

    Martin, Xiaoze Xie, LewAllen Contemporary, Santa Fe, New Mexico

1998     Building for the Millennium: Recent Acquisitions, Scottsdale Museum of Contemporary Art, Scottsdale, 

    Arizona

1997     George Segal and Xiaoze Xie, Bruce Gallery, Edinboro University of Pennsylvania, Edinboro, 

    Pennsylvania

1996     First Texas Annual, grand opening group show, The Contemporary Art Center of Fort Worth, Fort 

    Worth, Texas

1995     Scott Barber and Xiaoze Xie, 500X Gallery, Dallas, Texas

    McKinney Avenue Contemporary, Dallas, Texas

1994     Unity and Diversity, Cora Stafford Gallery, University of North Texas, Denton, Texas

1993     Center for the Visual Arts, Denton, Texas

1991     Four Young Artists, Shantou Painting Institute, Guangdong, China


Selected Public Collections:


Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio

Arizona State University Art Museum, Tempe, Arizona

Art Museum of Southeast Texas, Beaumont, Texas

Bates College Museum of Art

Bucknell University Samek Art Gallery, Lewisburg, Pennsylvania

Eastfield College, Dallas, Texas

Grinnell College, Grinnell, Iowa

Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon

The JPMorgan Chase Art Collection, New York, New York

Microsoft Art Collection, Redmond, Washington

Museum of Fine Arts, Houston, Texas

Oakland Museum of California, Oakland, California

The Old Jail Art Center, Albany, Texas

San Jose Museum of Art, San Jose, California

Scottsdale Museum of Contemporary Art, Scottsdale, Arizona

Seattle University, Seattle, Washington



Selected Bibliography:


“’Amplified Moments’: Bates College will show works by famed Chinese artist Xiaoze Xie.” Sun Journal, 

December 27, 2011

Artner, Alan G. Chicago Tribune, May 7, 2008.

Baker, Kenneth. “Library Still Lifes Exude Elegiac Air.” San Francisco Chronicle, January 9, 2010, p. E3.

Baker, Kenneth. “Wilson-Ryckman and Xie.” San Francisco Chronicle, September 7, 2013, p. E-2.

Baker, Kenneth. “Xie at Anglim.” San Francisco Chronicle, June 23, 2012, p. E2.

Bever, Jennifer.  “Searching for Artistic Freedom, Chinese Painter’s Work Open to Many Interpretations.” 

Bryan-College Station Eagle, March 17, 1996, p. D9.

Bowie, Chas. “Quite a Group at Leach.” The Oregonian, February 26, 2010.

Brumer, Andy, "Previews of Exhibitions: Xie Xiaoze." ArtScene, vol. 28, no. 3, 2008, pp. 15-16.

Caine, William. “The Spirit of Law/Iowa Reports” in GSA Art in Architecture Selected Artworks 19997-2008,

introduction by Eleanor Heartney. U.S. General Services Administration, 2008, pp.100-103 (book).

Coleman, Rufus. “Painting the News.” The North Texan, Winter 2004. pp. 34-35.

Claypool, Lisa. “China Urban: An Interview with Xie Xiaoze.” Yishu: Journal of Contemporary Chinese Art, 

July/August 2009, Volume 8, Number 4, pp. 41-50.

Dault, Gary Michael. “To Paint Book Is to Save Them.” The Globe and Mail, September 12, 2009.

Doom, R. "Wanneer de dappere winterpruimen in de sneeuw bloesemen..." catalog essay, Xiaoze Xie: Werken op 

papier, Modern Chinese Art Foundation, Ghent, Belgium, 2007.

Edwards, Jim. "All the news that fits, and then some." Catalog essay, The Daily News, Salt Lake Art Center, Salt 

Lake City, Utah, 2005.

Fugami, Tracey. “A Bookworm’s View.” International Examiner (Asian American Journal of the Northwest), Vol. 

26, No. 4, Feb. 17 - March 3, 1999, p. 11.

Goodbody, Bridget L. “Xiaoze Xie, ‘2001-2003 Fragmentary Views." Time Out New York, Issue No. 445 (April8-15, 2004): p. 53.

Hackett, Regina. "Messing With the Message: Art as News." catalog essay, The Daily News, Salt Lake Art Center, 

Salt Lake City, Utah, 2005.

Heartney, Eleanor. “A War and Its Images.” Art in America, Vol. 92, No. 9 (October 2004): p. 55.

Heartney, Eleanor. “The Certainty of Uncertainty: History and Memory in the Work of Xiaoze Xie.” Catalogue 

essay for Xiaoze Xie: 2001-2003 Fragmentary Views, Charles Cowles Gallery, New York City, 2004.

Higgins, Shaun O’L. and Striegel, Collen. Press Gallery: The Newspaper in Modern and Contemporary Art. New 

Media Ventures, Inc. 2005. pp. 190-191. (book)

Hopkins, Debra L.  “Order: An Installation and Paintings by Xiaoze Xie.” curator’s essay, Scottsdale Museum of 

Contemporary Art, Arizona, 2000.

Isaacson, Philip. “In the Arts: ‘The Inspired Hand,’ other shows offers a splendid creative diversion.” The Portland

Press Herald, February 13, 2012.

Josslin, Victoria. “Loss, Disintegration and Nostalgia at the Davidson Galleries.” Seattle Post-intelligencer, 

November 11, 2000.

Keefer, Bob. “Photo-Like.” The Register-Guard, October 20, 2011.

Keyes, Bob. “Winter Wonderscape.” Audience, January 22, 2012.

Konau, Britta. “’Amplified Moments’ of power and knowledge.” The Portland Phoenix, February 15, 2012.

Kelley, Jeff. “The Archivist.” Catalogue essay, Layers: Recent Works by Xiaoze Xie, Chambers Fine Art, Beijing, 

China, 2010.

Laster, Paul. “Xiaoze Xie: 2001-2003 Fragmentary Views.” Art Asia Pacific, No. 43 (Winter 2004): p. 84.

Li, Na. “Exhibit shows transient nature of news and life.” China Daily (Canada), June 5, 2015.

Little, Carl. “Xiaoze Xie: Amplified Moments (1993-2008).” Art New England, March/April 2012.

Li, Xianting. “The Regeneration of Three Traditions.” catalogue essay for Regeneration: Contemporary Chinese Art 

from China and the US, Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania. p. 16

Li, Yanling. "Transient Memories: Works on Paper by Xie Xiaoze." Shanghai Stock News, Saturday, July 21, 2007,

p. 15.

Loos, Ted. “Fish Wrap, Bird Cage Liner, Still Life.” The New York Times, Sunday, March 21, 2004, p. 32.

Maddox, David. "Trans-Pacific Conversation: American and Chinese Artists Confront the Realities of Globalization 

in Distinctly Different Ways." Nashville Scene, November 24, 2005.

Mak, Gerry. “Disposable History, Xie’s solo exhibit at CAAW reminds us that history is malleable.” That’s Beijing, 

October 2003, p. 38.

McGee, Carrie. "Misleading Trails." Number: An Independent Arts Journal, Spring/Summer 2006. pp. 20-21.

McRary, Amy. “New media: artists uses printed matter to create studies of history.” Knoxville News Sentinel, March

6, 2011. 

Morse, Trent. “Xiaoze Xie at Chambers Fine Art.” ARTnews June 2011, p. 109.

Muchnic, Suzanne. "Old Meets Bold." Los Angeles Times, March 20, 2005.

Nance, Kevin. "For Xie, papers are all the news that's fit to paint Print friendly." Chicago Sun-Times, April 18,

2008.

New American Painting/Juried Exhibition-in-Print, No. 103, Pacific Coast, Volume 17, Issue 6, December/January

2013, pp. 150-153.   

New American Paintings/Juried Exhibition-in-Print, Number 44. Boston: The Open Studios Press, 2003. pp. 

158-161.

Newman, David. “Between Painting and Photography: Four Works by Xiaoze Xie.” Curator’s Essay, Brookhaven 

College Center for the Arts, Texas, February 1997.

Nichols, Matthew Guy. “Xiaoze Xie at Charles Cowles.” Art in America, Vol. 92, No. 6 (June/July 2004): p. 181.

Råcker, Barbara. “Lies that Tell the Truth: Magic Realism in Contemporary Art.” Catalogue easy, University Art

Gallery, Indiana State University, February 22 – March 22, 2013.

Reproduction and review in The New Yorker, April 5, 2004. p.14, 18.

Reproductions in BOL Journal. Winter 2007, pp. 143-154.

Reproduction in Harper’s Magazine. August 2008. p. 73.

Reproductions in Harvard Review. 2009, Number 37, pp. 140-141.

Ridolfi, Mark. "Inspiration Arrives Today in Davenport Courthouse." Quad-City Times, October 10, 2005, p. 

A11.(The Editorial Page)

Schnoor, Christopher. "The News in Art at Boise Art Museum." Boise Weekly, February 22-28, 2006, pp. 11-13.

Shang, Chong. “On Xie Xiaoze’s Art.” Jiangsu Art Monthly, Issue No. 191 (November 1996): pp. 31-35.

Smith, Roberta. "When Newspaper Photographs Are Worth a Thousand Paintings." The New York Times, 

November 6, 2008. p. C1, C5.

Spica, Heather Joyner. “Chinese-American Artist Xiaoze Xie Captures Moments Amplified and Unplugged.” Metro

Pulse, March 23, 2011            

Suh, Sangsuk. “Painted History through Slices of Newspapers.” Wolganmisool (Monthly Art, Korean), June 2004, 

pp. 111-115.

Swift, Wes.  “An Artistic History of Protest.” The Battalion, March 20, 1996, p. 3.

Tancock, John. "Multiple Perspectives." Master’s Profile, The Fine Arts World, March/April 2014, pp. 38-49.

Updike, Robin. “Show Wrestles with Reality, Books Dominate Xie’s Haunting, Ambiguous Work.” Seattle Times, 

February 25, 1999.

Vaughn, Katie. "Speaking Volumes, Paintings of Books Honor Legal System in U.S., Iowa." Quad-City Times, 

February 11, 2007, Section H, p. 1, 7.

Wei, Lilly. "On Time: The Works of Xiaoze Xie." Brochure essay, Dowd Fine Arts Gallery, State University of 

New York Cortland, Cortland, New York.

Wei, Lilly. "Xie Xiaoze at Chambers Fine Art." ARTnews December 2013, p. 107.

Wilson, Wade.  “A Moving Mix of Classical Style, Powerful Statement.” Fort-Worth Star-Telegram, November 26, 

1995, Section F, p. 4.

Wilson, Wade. “Illiteracy on Canvas.” Fort-Worth Star-Telegram, April 28, 1996, Section F, p. 2.

Wilson, Wade. “ ‘Mosaics’ Puts Together Pieces of Chinese Culture.” Fort-Worth Star-Telegram, June 11, 1995, 

Section F, p. 4.

Wu, Penghui. “The Possibilities of Implication, Misleading Trails.” Art World, Issue No. 172 (September 2004): p. 

16.

Xia, Kejun. "Transient Memories and the Responsibility of Reading." Catalog essay, Transient Memories: Works on 

Paper by Xie Xiaoze, The Danish Art Exchange, Beijing, China, 2007.

Zhang, Ting. "Transient Memories." Phoenix Weekly, Issue No. 264, August 2007, pp. 60-63.