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Born
1942 Rock Springs, Wyoming
Education
1965-67
M.F.A., San Francisco Art Institute, San Francisco, California
1962-65
B.F.A., San Francisco Art Institute, San Francisco, California
1961-62
Georgetown University, Washington, D.C.
Teaching Experience
2008-09
Dodd Chair, University of Georgia, Athens, Georgia
1978-2008
San Francisco Art Institute, San Francisco, CA
1969-1977
University of Santa Clara, Santa Clara, CA
Grants & Awards
2015
Rockefeller Foundation Residency, Bellagio, Italy
2005-2007
Eureka Fellowship Program for the Visual Arts
1999-2000
Flintridge Foundation Fellowship
1997
National Endowment for the Arts and FONCA (Fondacion y Organisacion National de Culutra yArtes), Residency in Mexico
1993
National Endowment Fellowship
1990
John Simon Guggenheim Memorial Fellowship
1989
Award in the Visual Arts (AVA)
1987
Rockefeller Foundation Fellowship
Engelhard Award, Boston, Massachusetts
Western States Arts Fellowship
Open Channels, Long Beach Museum of Art
1986
National Endowment Media Arts Grant (in conjunction with the Walker Art Center) Louis Comfort Tiffany Foundation Fellowship
1986
Capp Street Project, Residency
1983
Western States Arts Fellowship
1982
National Endowment Fellowship
1976
National Endowment Fellowship
1974
National Endowment Fellowship
Selected Solo Exhibitions
2022
Art Genève, Solo booth D24 Genève, Switzerland – Galerie Georges-Philippe and Nathalie Vallois, Paris, France
Turning The Fork, Anglim/Trimble, San Francisco, CA
2018
Frieze, New York, NY.
Kinetic Landscapes, Galerie Vallois, Paris, France
2016
Equilibrium: A Paul Kos Survey, di Rosa, Napa, CA
Symmetry, Anglim Gilbert Gallery, San Francisco, CA
RR, Ever Gold Projects, San Francisco, CA
2012
Allegories and Metaphors (1968-2012), Vallois Galerie, Paris, France
Paul Kos Allegories & Metaphors, Nyehaus, New York, NY
2011
Selected Works: 1969-2011, Gallery Paule Anglim, San Francisco, CA
2009
Allegories and Metaphors, Lamar Dodd School of Art, UGA, Athens, GA
2008
Selected Works, Esso Gallery, New York, NY
This Is Not a Void, Galeria Luisa Strina, Sao Paulo, Brazil
2007
West of the Great Divide, Gallery Paule Anglim, San Francisco, CA
2003
Everything Matters: Paul Kos, A Retrospective, Berkeley Art Museum, University of California; Grey Art Gallery, New York University; San Diego Museum of Contemporary Art; Contemporary Art Center, Cincinnati, OH
Paul Kos, Grey Art Gallery NYU, NY,
2001
Paul Kos / Nam June Paik, San Francisco Museum of Modern Art, San Francisco, CA
1998
Sculptural Allegories, Gallery Paule Anglim, San Francisco, CA
1995
Jernigan Wicker Fine Arts, San Francisco, CA Gallery Paule Anglim, San Francisco, CA
1994
Paul Kos at the Wiegand Gallery, College of Notre Dame, Belmont, CA
1992
Paul Kos: Sculpture, Gallery Paule Anglim, San Francisco, CA
J.B. Speed Museum, Louisville, KY (travels)
Dorothy Goldeen Gallery, Santa Monica, CA
1991
Tintinnabulations, University Art Gallery, San Diego State University, San Diego, CA
1990
Paul Kos: Ber Lin, Laguna Art Museum, Satellite Gallery at South Coast Plaza, Costa Mesa, CA
Dorothy Goldeen Gallery, Santa Monica, CA
1988
Iannetti Lanzone Gallery, San Francisco, CA
University Art Gallery, California State University, Chico, CA
1987
San Francisco Museum of Modern Art, San Francisco, California Walker Art Center, Minneapolis, MN
1986
New Langton Arts, San Francisco, CA
Capp Street Project, San Francisco, CA
1982
University of Nevada, Reno
1980
MATRIX, University Art Museum, University of California, Berkeley Site, Inc., 585 Mission Street, San Francisco, California
1979
University Art Museum, University of California, Berkeley
1978
Video Free America, San Francisco, California Everson Museum, Syracuse, New York
1977
Long Beach Museum of Art, Long Beach, CA
1976
Leo Castelli Gallery, New York, New York
1975
Leo Castelli Gallery, New York, New York
1974
Howard Fried, Paul Kos, San Jose University Art Gallery, San Jose, CA M.H. de Young Museum, San Francisco, CA
1973
Gutierrez-Solana, Glassman, Kos, (three one-man exhibitions), La Jolla Museum, La Jolla, CA
1972
Reese Palley Gallery, New York, New York
1971
Fish, Fox, Kos, de Saisset Art Gallery and Museum, Santa Clara, CA Reese Palley Gallery, San Francisco, CA
1969
Participationkinetics, Richmond Art Center, Richmond, CA
Freeze-Drived Xmas, de Saisset Art Gallery and Museum, Santa Clara, CA
Selected Group Exhibitions
2022
Ω, Anglim/Trimble, San Francisco, CA
2021
The Paradox of Stillness, Object and Performance, Walker Art Center, Minneapolis, Minnesota.
The Incorrect Museum: Vignettes From the di Rosa Collection, di Rosa Center for Contemporary Art, Napa, CA
A Spirit of Disruption, San Francisco Art Institute 150th Anniversary Exhibition
2020
Donner Pass, Art Kiosk, Lance Fung Collaboratives, Redwood City, CA
2019
Mother Nature: Elements and Archetypes, Fused Space, San Francisco,CA
As If, 1599fdt. San Francisco. CA.
Potts Gallery, Alhambra, CA
2018
Collecting On The Edge, Nora Eccles Harrison Museum of Art, Logan Utah
10 Year Anniversary Show, Evergold Projects, San Francisco, CA
2017
Ways of Seeing, Foundation Boghossian, Villa Empain, Brussels
Illegal, Luggage Store Gallery, San Francisco, CA
Unsettled, Nevada Museum of Art, Reno, NV
Feedback, Marlborough Contemporary, New York, NY
Air, Wind and Fire, Richmond Art Center, Richmond, CA
Bitter Creek Sweet Water, Jules Maeght Gallery, San Francisco, CA
2016
Mind Over Matter, BAMPFA, Berkeley, CA
Zero, c/o FuturDome, Milan, Italy
2015
Against Automatism, Fused Space, Jessica Silverman Gallery, San Francisco,
Retrospective, Gallery Paule Anglim, San Francisco, CA
2014
Landscape: the virtual, the actual, the possible?, Yerba Buena Center for the Arts, San Francisco, CA
Karla’s Living Room, The Battery, San Francisco, CA
Summer in Black and White, Gallery Paule Anglim, San Francisco, CA
2013
California Landscape Into Abstraction, Orange County Museum of Art, Newport Beach, CA
All Good Things, SOMARTS, San Francisco, CA
Solid Concept VI, Gallery Paule Anglim, San Francisco, CA
The Long Conversation, Southern Exposure, San Francisco, CA
Mono No Aware, Linden Centre for Contemporary Arts, St. Kilda, Australia
The Lunder Collection, Colby College Museum of Art, Waterville, MA
EISKELLER UND HIMMELSLÖ: Ortsbezogene Interventionen, Rekonstruktionen und Erkundungen in Schleswig-Holstein 2012 – 2013,” SchleswigHolstein, Germany
Happy Birthday: a celebration of chance and listening, Philip Feldman Gallery
Pacific Northwest College of Art, Portland, OR
CANY (California/New York), Nora Fisch Arte Contemporáneo, Buenos Aries, Argentina
Temporary Structures, San Francisco Art Institute, San Francisco, CA
SOUND, IMAGE, OBJECT: The Intersection of Art and Music, University Art Gallery, Sonoma State University, Sonoma, CA
[Invisible] Relic, Park Life Gallery, San Francisco, CA
State of Mind: New California Art Circa 1970, Berkeley Art Museum, Berkeley, CA
Do Not Destroy: Trees, Art and Jewish Thought, Contemporary Jewish Museum, San Francisco, CA
2011
State of Mind: New California Art Circa 1970, Orange County Museum of Art, Newport Beach, CA
Under the Big Black Sun: California Art 1974 – 1981, The Museum of Contemporary Art, Los Angeles, CA,
The Geffen Contemporary at MOCA, Los Angeles, CA
Spread - California Conceptualism Then and Now, SOMArts, San Francisco, CA
2010
Silence, Exile & Cunning, Sonoma Valley Museum of Art, Sonoma, CA
Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945 – 2000
Berkeley Art Museum, Berkeley, CA
2009
The Third Mind: American Artists Contemplate Asia, 1860 to 1969, Guggenheim Museum, New York, NY
MOCA’s First Thirty Years, MOCA Museum of Contemporary Art, Los Angeles,
Conceptual Art from California, Paul Kos and Tony Labat, Arge Kunst, Bolzano, Italy
2008
This is Not A Void, Galeria Luisa Strina, Sao Paolo, Brazil
Eureka, San Jose Institute of Contemporary Art. San Jose, CA
Conceptual Art From California, Neuer Berliner Kunstverein n.b.k., Berlin, Germany
Looking For Mushrooms, Museum Ludwig, Koln, Germany
California Video, Getty Museum, Los Angeles
15th Anniversary Exhibition, Museum of Contemporary Religious Art, ST. Louis, MO
Neighborhood Secrets, Stavanger, Norway
Matrix, 30th Birthday Bash, Berkeley Art Museum, Berkeley, California
Projected Image, Sonoma State University, Sonoma, CA
2007
A Principle of Immortality, Video from 1970 to the present. Macy Art Gallery, Teachers College, Columbia University, New York, New York
Art Since the 1960s: California Experiments, Orange County Museum of Art, Newport Beach, CA
from_&_to, Kunst Merano Arte, Merano, Italy
Pioneers, CCA Wattis Institute, San Francisco, CA
On Ice, Williams Center Art Gallery, Lafayette College, Easton, PA
Subversive Moves, Sun Valley Center for the Arts, Ketchum, ID
2006
Evidences or This Object of Desire, In Situ / Fabienne Leclerc, Paris, France
The Three Cities – Berlin: The Apartment, Anna-Catharina Gebbers, Berlin, Germany
Work Zones: Three Decades of Contemporary Art from SFAI, San Francisco Art Institute, San Francisco, CA
2005
Soft Openings, The Katzen American University Museum, Washington, D.C.
Solid Concept V, Gallery Paule Anglim, San Francisco, CA
Marking Time, LACE Los Angeles, CA
2003
Sold Concept IV, Gallery Paule Anglim, San Francisco, CA
2002
Beyond Preconceptions, Berkeley Art Museum, Berkeley, CA
2001
Labyrinth Of Pleasure, Museum of Contemporary Art, Taipei, Taiwan
Double Feature: Paul Kos and Nam June Paik, San Francisco Museum of Modern Art, San Francisco, CA
2000
Open House, Art on Site 1, San Francisco, CA
1:1, Refusalon, San Francisco, CA
1999
Line, Lance Fung Gallery, New York, NY
1998
PFormative Acts, San Francisco Art Institute, San Francisco, CA
Selections from the Weisman Collection, Frederick Weisman Museum of Art, Center for the Arts, Pepperdine University, Malibu, CA
1997
Video Group Show, Museum of Modern Art, New York, NY
The Art Orchestra: A Sculptors’ Ensemble, The Fine Arts Museums of San Francisco, San Francisco, CA
1996
Blurring the Boundaries Installation Art 1969 – 1996, Museum of Contemporary Art, San Diego, CA
Generations, Richmond Art Center, Richmond, CA
Austria SFAI 125th Anniversary Tribute Show, Gallery Paule Anglim, San Francisco, CA
Natural Histories, Institute of Contemporary Art, San Jose, CA
1995
Facing Eden, M.H. de Young Museum, San Francisco, CA
1994
Solid Concept Three, Gallery Paule Anglim, San Francisco, CA
1993
In Out of the Cold, Yerba Buena Center for the Arts, San Francisco, CA
1992
California Art, Aspen Art Museum, Aspen, Colorado
John Cage Memorial Exhibition, Jernigan/Wicker, San Francisco, CA
Unter Null, Woh Museum, Barengasse, Zurich, Germany
1991
After the Apocalypse: A Different Humanism, SECCA, Winston-Salem, North Carolina
Transformations, Transamerica Pyramid, San Francisco, California
Unter Null (Below Zero), Museum Indutriekultur, Nuremberg, Germany
Gallery II, (3-person show), Gallery Paule Anglim, San Francisco, California
1990
Lines of Force, Bayfront Gallery, San Francisco, California
Bay Area Media, San Francisco Museum of Modern Art, San Francisco, California
Works in Media, Gallery Paule Anglim, San Francisco, California
In Site, Five Conceptual Artists from the Bay Area, University Art Gallery, University of Massachusetts at Amherst, Amherst, Massachusetts
Public Art, Models and Drawings, San Francisco State University Art Gallery, San Francisco, California
Open Channels, Five Year Survey, Long Beach Museum of Art, Long Beach, California
R/T SF – Colombia, San Francisco Arts Commission Gallery, San Francisco, California
1989-90
Awards in the Visual Arts 8 High Museum, Atlanta, Georgia; La Jolla Museum of Contemporary Art, La Jolla, California; Henry Gallery, University of Washington, Seattle, Washington
1989
Bay Area Conceptualism: Two Generations, Hallwalls Contemporary Art Center, Buffalo, New York
Machinations, Saint Gervais, Maison des Jeunes et de la Culture, Geneva, Switzerland
San Francisco Bay Artists, Museo de Arte Moderno, Cartagena, Colombia
Centro Colombo Americano, Medellin, Colombia; Centro Colombo Americano,
Bucaramanga, Columbia; Centro Colombo Americano, Bogota, Colombia; Museo Arqueologico La Merced, Cali, Colombia; Centro de Arte Actual, Pereira, Colombia
Solid Concept, Gallery Paule Anglim, San Francisco, California
1988
Second International Exhibition of Artists of Slovenian Descent, Cankarjev Dom, Ljubljana, Yugoslavia
3 Videonale, Bonn, West Germany
Art of the Madonna, Old St. Patrick's Church, Chicago, Illinois
1987
Landscape Video: The Seventies, Los Angeles Contemporary Exhibitions, Los Angeles, California
Steirischer Herbst '87, Graz, Austria
Object Poems, Henry Art Gallery, University of Washington, Seattle, Washington
30 From 25, Sheppard Art Gallery, University of Nevada at Reno
1986
Second Newport Biennial, Newport Harbor Art Museum, California
1985
Video from Vancouver to San Diego, The Museum of Modern Art, New York, New York
Reel to Real, San Francisco Museum of Modern Art, San Francisco, California
Nature as Metaphor, San Francisco Art Institute, San Francisco, California
Spacial Relationships in Video, The Museum of Modern Art, New York, New York
Selections from the de Saisset, New Langton Arts, San Francisco, California
1984
Artist's Valentines, San Francisco Art Institute, San Francisco, California
Artist Olympics, Video Gallery, San Francisco, California
San Francisco Video Festival," San Francisco Museum of Modern Art, San Francisco, California
Video and Ritual, Museum of Modern Art, New York, New York
Reel to Real, San Francisco Art Institute, San Francisco, California
Bar Video, Vazac Hall, presented by MO David, Inc., New York, New York
1984
Video: A Retrospective 1974-1984, Long Beach Museum of Art, Long Beach, California
1983
Art Video, Palais des Beaux-Arts, Charleroi, France
Performance, Restaurant Dalmatzi, Bern, Switzerland
1982
Vision #5 Artists' Photography, Crown Point Gallery, Oakland, California Anthology Film Archives, New York, New York
100 Years of California Sculpture, Oakland Museum, Oakland, California
Elegant San Francisco Miniatures, Museum of Conceptual Art, San Francisco, California; Belca House, Kyoto, Japan; San Francisco Museum of Modern Art, San Francisco, California
Video, American River College, Sacramento, California
Arts Alive, KVIE Channel 6, Sacramento, California
1981
California Performance, Chicago Museum of Contemporary Art, Chicago, Illinois
TV in Place," Korot, Burden, Kos, San Francisco Art Institute
1980
San Francisco Video Review, Video Free America, San Francisco, California
San Francisco Video Festival, San Francisco, California
Video Art, Centre Culturel Americain, Paris, France
1979
Video Roman '79, Rome, Italy
Everson Video Review, Everson Museum of Art, Syracuse, New York; Museum of Contemporary Art, Chicago, Illinois; University Art Museum, University of California at Berkeley;
Museum of Contemporary Art, La Jolla, California
Bay Area Contemporary Strengths, University of California at Santa Barbara
Space/Time/Sound/1970's - A Decade in the Bay Area, San Francisco Museum of Modern Art, San Francisco, California
1978
Art Video, La Mamelle and Cable Channel 25, San Francisco, California
Video Art, Southland Cable Networks, Some Serious Business, and the Long Beach Museum of Art
Americans in Paris, Hudson River Museum, Yonkers, New York
Video Art, Contemporary Arts Museum, Cincinnati, Ohio
Video Art, Lanchester Polytech, Coventry, England
1977
A Tight Thirteen Minutes, Museum of Conceptual Art, San Francisco, California
Paris Biennale, Paris, France
Video Art USA, Centre Culturel Americain, Paris, France
1976
Video Art: An Overview, San Francisco Museum of Modern Art, San Francisco, California
Video Art, Smith College Art Museum, Northampton, Massachusetts
1975
Video Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Contemporary Art Center, Cincinnati, Ohio; The Museum of Contemporary Art, Chicago, Illinois; The Wadsworth Atheneum, Hartford, Connecticut
The Whitney Biennial, Whitney Museum of American Art, New York, New York
San Francisco Bay Area Artists' Work on Video Tape, And/Or Gallery, Seattle, Washington
Video Art USA, Bienal de Sao Paulo, American Pavillion, Brazil (traveled to five Latin-American countries)
Information Show, San Francisco Art Institute, San Francisco, California
Exchange: DFW/SFO, Fort Worth Art Museum, Fort Worth, Texas, 1975, and the San Francisco Museum of Modern Art, San Francisco, California
Landscape Video, Long Beach Museum of Art, Long Beach, California
1974
Contemporanea, Rome, Italy
Collector's Video, Los Angeles County Museum of Art, Los Angeles, California
Video Group Show, Leo Castelli Gallery, New York, New York
Basel 5, 1974, Basel, Switzerland
Trigon, Vienna, Austria
Cologne Art Fair, Cologne, Germany
Project 74, Wallraf-Richartz Museum, Cologne, Germany
Video Art, Smith College Art Museum, Northampton, MA
South of the Slot, 63 Bluxome Street, San Francisco, California
1973
Circuit, Everson Museum, Syracuse, New York; Henry Art Gallery, University of Washington, Seattle; Cranbrook Art Institute, Los Angeles County Museum of Art, Los Angeles, California
All Night Sculpture, Museum of Conceptual Art, San Francisco, California
Bienal de Sao Paolo, Sao Paulo, Brazil
Video, The New Wave, WGBH Television, Boston, Massachusetts
Video Group Show, Leo Castelli Gallery, New York, New York
Art Now, J.F. Kennedy Center for the Performing Arts, Washington, D.C.
1972
San Francisco Performance, Newport Harbor Art Museum, Newport Beach, California
Video West One, Everson Museum, Syracuse, New York
Games, San Francisco Art Institute, San Francisco, California
Saint Jude Video Invitational, de Saisset Art Gallery and Museum, Santa Clara, California
The Bay Area Roach Clip Show, San Geronimo, California
Toys of the Artist, Walnut Creek Art Center, Walnut Creek, California; University of British Columbia, Vancouver, B.C., Canada
MOCA FM, Museum of Conceptual Art, San Francisco and KPFA FM, Berkeley, California
Video Works, 112 Greene Street, New York, New York
1970
Richmond Sculpture Annual, Richmond Art Center, Richmond, California
The Eighties, University Art Museum, Berkeley, California
Sound; Sculpture As:, Museum of Conceptual Art, San Francisco, California
Films by Sculptors, Museum of Conceptual Art, San Francisco, California
1970
Art in the Mind, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
1969
Invitational Drawing Exhibit, California State College, Hayward, California
Return of Abstract Expressionism, Richmond Art Center, Richmond, California
Public Collections
Guggenheim Museum, New York, New York
Kadish Foundation, Paris, France
Henry Art Gallery, University of Washington, Seattle, Washington
La Jolla Museum of Contemporary Art, La Jolla, California
Modern Art Museum of Fort Worth, Fort Worth, Texas Long Beach Art Museum, Long Beach, California
Museum of Conceptual Art, San Francisco, California
Wallraff-Richartz Museum, Cologne, Germany
Institute of Contemporary Art, Philadelphia, Pennsylvania de Saisset Art Gallery and Museum, Santa Clara, California San Francisco Museum of Modern Art, San Francisco, California
Everson Museum of Art, Syracuse, New York
Museum of Modern Art, New York, New York
Stedelijk Museum, Amsterdam, Holland
Nora Eccles Harrison Museum of Art, Logan, Utah
Commissions/Public Art
2011-2014
First Responder Plaza, Public Safety Building, San Francisco, CA
2009-2013
San Francisco General Hospital, San Francisco, CA
2009-2010
UCSF, Lobby, Cancer Research, San Francisco, CA
2005-2010
Freeport Water Authority, Sacramento, CA
2006
California Foundation, Los Angeles, CA
2002
Golden Gate Project, San Francisco Arts Commission. (Cancelled due to lack of funds after preliminary drawings completed.)
1991-2000
Poetry Sculpture Garden, with poet Robert Hass, 199 Fremont, San Francisco, CA
1997
Tunnel/Chapel, di Rosa Art Preserve, Napa, CA, with Isabelle Sorrell
1990-1994
Secretary of State, State Archives Building, Sacramento, CA, with Mandell/Sultan
1989-1992
Passenger-Only Ferry Terminal, Washington State Arts Commission, Seattle, WA, Cancelled after construction began: Toxic waste discovered.
Selected Bibliography
Albright, Thomas, “Art,” Rolling Stone, June 24, 1971.
“Art from a Giant Puddle,” San Francisco Chronicle, July 17, 1969.
“Marvels in Steel and Sand,” San Francisco Chronicle, April 17, 1971.
Anderson, Phil, “Chartes Bleu,” High Performance 10, no. 3, 1987: 99-100.
Arms, John, “Agrisculpture,” Christian Science Monitor, August 23, 1969.
Arts Magazine 44, No. 8, Summer 1970: 23, 38.
Arts Magazine 47, No. 1, September-October 1972: 58.
Avalanche 1, Fall 1970: 6.
Avalanche 2, Winter 1971: 6. Avalanche 4, Spring 1972: 4.
Baker, Kenneth, “Art That Comes Across as Disposable,” San Francisco Chronicle, November 28, 1998.
“Exhibitions Evoke Signs of Ruin, Scars of War,” San Francisco Chronicle, January 19, 2008.
“Artists Presaged Social Media,” San Francisco Chronicle, March 7, 2013.
Battcock, Gregory, ed., New Artists Video, New York: Dutton, 1978.
Belloil, Jay, Joel Glassman, Carlos Gutierrez-Solana, Paul Kos [exhibition catalog], La Jolla, CA:
Museum of Contemporary Art, 1973.
Belsito, Peter, “Sympathetic Vibrations,” High Performance 9, no. 2, 1986: 73.
Bonetti, David, “Two decades of MATRIX,” San Francisco Examiner, April 29, 1998.
“With sly wit, Paul Kos rings a bell,” San Francisco Examiner, October 28, 1994: C6-7.
Camhi, Leslie, “Human Comedy: A Bay Area Conceptualist's Antic, Melancholy Body of
Work,” Village Voice, October 1-7, 2003.
Caples, Garrett, “Review: Equilibrium: A Paul Kos Survey,” Art Practical, May 17, 2016.
Chang, Soojin, “Berkeley Art Museum Showcases California’s Conceptual Artists of the 70’s,” The Daily Californian, March 4, 2012.
Christensen, Judith, “Uncomfortable Cadence,” Artweek 21, March 15, 1990: 13-4.
Cotter, Holland, “West Coast Art (Not Laid-Back): A California ‘State of Mind,’ Circa 1970, at
Bronx Museum,” New York Times, July 11, 2013.
Cotter, Holland, “Gaze East and Dream, Review 'The Third Mind: American Artists
Contemplate Asia, 1860-1989,’ New York Times, January 29, 2009.
Desmarais, Charles, “Conceptual Artist Mixes Dada, Dry Wit,” SF Gate, July 19, 2016.
Geer, Suvan, “Review: Paul Kos: Manipulation by Participation,” Los Angeles Times, May 25, 1990 Gilmore, Jonathan, Art in America, April 2004.
Golonu, Berin, Artweek, January 2000: 41.
Haber, John, “Us and Them,” Haber’s Art Reviews, 2003.
Jaszi, Jean, “Projects for the Eighties,” Artweek, March 28, 1970: 1, 8.
Jomadiao, Paris, “On Paul Kos,” Conversations at the Edge, November 3, 2016.
Junker, Howard, “Video Installation: Paul Kos and Sculptured Monitor,” Arts Magazine,
November 1975: 65-6.
Jux, Virginie, “Conceptual Art According to Kos: A Whole Concept!,” TenTen, July 13, 2015.
Kent, Tom, ‘Paul Kos – Videotapes and Sculptural Residue,” Artweek, November 2, 1974: 5.
Kimmelman, Michael, “Why Faith That’s a Bit Slapstick,” The New York Times, September 12,2003.
Kaufman, Jason Edward. “Hidden Asian influence on US modern masters revealed,” The Art
Newspaper, December, 2008.
Kaye, Nick, “Paul Kos,” SiteWorks: San Francisco Performance 1969-85, October 19, 2015.
McCann, Cecile N., “Richmond Sculpture Annual,” Artweek, February 18, 1970: 6.
“Authority and Art (Again),” Artweek, June 26, 1971: 2.
Artweek, February 13, 1971: 2.
McFarland, Mack, “Happy Birthday: a celebration of chance and listening, Philip Feldman
Gallery, Pacific Northwest College of Art, 2012
Marioni, Tom, “Art/By Jove,” San Francisco Magazine, March 1977: 94-5.
Morris, Gay, Art in America 77, February 1989: 173.
Moss, Stacey, Paul Kos at the Wiegand Gallery [exhibition catalog], Belmont, CA: College of
Notre Dame, 1994.
“Museum of Conceptual Art Opens,” Artweek, March 28, 1970: 2.
Oliman, Leah, “Images that Call for Action,” Los Angeles Times, February 15, 2004: E40.
Porges, Maria, “Paul Kos at Gallery Paule Anglim,” Artforum, February 1996: 89.
Reveaux, Tony, ‘Polytechnical Diversity (SFMOMA),” Artweek 21, April 19, 1990: 1.
Richardson, Brenda, “Bay Area Survey: The Myth of Neo-Dada,”Arts Magazine, Summer 1970: 47.
“Bay Area Report”, Arts Magazine 45, No. 8, Summer 1971: 44.
Riddle, Mason, New Art Examiner 15, November 1987: 57.
Schneider, Ira, and Beryle Korot, eds., Video Art, New York: Harcourt Brace and Jovanovich, 1976.
“Sculpture in the Vineyards,” San Francisco Magazine, October 1969.
Simon, Eric, “Expo Solo Show: Paul Kos ‘Kinetic Landscape (s)’,” Actuart by Eric Simon,
February 23, 2018.
Smallwood, Lyn, ‘Sculptor in a Haystack,” Seattle Weekly, February 7, 1990: 49.
Soe, Valerie, “Lessons in Seeing,” Artweek, April 25, 1970: 2.
“Sounds Sculpture Event,” Artweek, April 25, 1970: 2.
Tamblyn, Christine, “A Ritual for Bells,” Artweek 17, March 15, 1987.
Tarshis, Jerome, “San Francisco,” Artforum 8, No. 10, June 1970: 91.
“San Francisco,” Artforum 9, Vol. 1, September 1971: 91.
“U.C. Project for the Eighties,” Artweek, March 14, 1970: 3.
Wolf, Steven, “New Balance: The Work of Artist Paul Kos,” The Battery, San Francisco, July 8, 2016.
Wooster, Ann-Sargent, “Video and Ritual,” Afterimage 12, February 1985: 19.